Kitamura Publishes Screening Enlightenment
Associate Professor Hiroshi Kitamura has published Screening Enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan with Cornell University Press.
Here is a description of the book from the publisher's website:
"During the six-and-a-half-year occupation of Japan (1945–1952), U.S.
film studios—in close coordination with Douglas MacArthur's Supreme
Command for the Allied Powers—launched an ambitious campaign to extend
their power and influence in a historically rich but challenging film
market. In this far-reaching "enlightenment campaign," Hollywood studios
disseminated more than six hundred films to theaters, earned
significant profits, and showcased the American way of life as a
political, social, and cultural model for the war-shattered Japanese
population. In Screening Enlightenment, Hiroshi Kitamura shows how this
expansive attempt at cultural globalization helped transform Japan into
one of Hollywood's key markets. He also demonstrates the prominent role
American cinema played in the "reeducation" and "reorientation" of the
Japanese on behalf of the U.S. government.
According to Kitamura, Hollywood achieved widespread results by turning to the support of U.S. government and military authorities, which offered privileged deals to American movies while rigorously controlling Japanese and other cinematic products. The presentation of American ideas and values as an emblem of culture, democracy, and sophistication also allowed the U.S. film industry to expand. However, the studios' efforts would not have been nearly as extensive without the Japanese intermediaries and consumers who interestingly served as the program's best publicists. Drawing on a wide range of sources, from studio memos and official documents of the occupation to publicity materials and Japanese fan magazines, Kitamura shows how many Japanese supported Hollywood and became active agents of Americanization. A truly interdisciplinary book that combines U.S. diplomatic and cultural history, film and media studies, and modern Japanese history, Screening Enlightenment offers new insights into the origins of this unique political and cultural transpacific relationship.
According to Kitamura, Hollywood achieved widespread results by turning to the support of U.S. government and military authorities, which offered privileged deals to American movies while rigorously controlling Japanese and other cinematic products. The presentation of American ideas and values as an emblem of culture, democracy, and sophistication also allowed the U.S. film industry to expand. However, the studios' efforts would not have been nearly as extensive without the Japanese intermediaries and consumers who interestingly served as the program's best publicists. Drawing on a wide range of sources, from studio memos and official documents of the occupation to publicity materials and Japanese fan magazines, Kitamura shows how many Japanese supported Hollywood and became active agents of Americanization. A truly interdisciplinary book that combines U.S. diplomatic and cultural history, film and media studies, and modern Japanese history, Screening Enlightenment offers new insights into the origins of this unique political and cultural transpacific relationship.
Reviews
"Hiroshi Kitamura offers an insightful consideration of the U.S. film industry's efforts in Japan. He is attentive to not only American cultural dealings with Japan but also Japan's engagement with and influence on the world's cinema."—Andrew Gordon, author of A Modern History of Japan, Harvard University
"In Screening Enlightenment, Hiroshi Kitamura investigates not only the ideologies driving U.S. policymaking but also their effects on those at the receiving end of those policies. Kitamura offers an excellent, deeply researched, and smoothly written combination of international business history, Japanese film history, cultural history, and diplomatic history."—Naoko Shibusawa, Brown University, author of America's Geisha Ally
"Thoroughly researched and carefully crafted, this book provides the first comprehensive study of movie entertainment in post-1945 Japan. As a teenager then living in Tokyo, I remember being deeply impressed with such Hollywood productions as Madame Curie, The Yearling, and Little Women. I am grateful that this book helps me understand how these and other movies were selected for showing in Japan, how Hollywood collaborated with U.S. occupation authorities in the process, and how Japan's postwar cultural elites looked to the Hollywood film as a crucial instrument for reconstructing their country and developing a close understanding of, and ties to, the United States. Screening Enlightenment is a valuable addition to the literature on post–World War II history."—Akira Iriye, Harvard University"
